Elen Braga
(Website under construction)


Insomnia, 2025
De Laaiende Linies, 2025
The Dutch Way, 2025
Meisje, 2025
The Lost Tail, 2025 
Acidente, 2025
When the Clouds Cry, 2024
Our Land, 2024
Behold in awe, 2024
Als een leeuw in een kooi, 2024
Als een vis op het droge, 2021
Samson in the Lion’s Cage, 2024
Flesh, Stone, Iron and Clay, part 1, 2024
Flesh, Stone, Iron and Clay, part 2, 2024
Flesh, Stone, Iron and Clay, part 3, 2024
Standing on the Shoulders of Giants, 2024
Nebuchadnezzar, 2024
The Love Hotel, 2024
Hungry Pigeon, 2024
The Future is Europe, 2024
Lullaby, 2023
Bababuá, 2024
Bob, 2022
Witness of Times, 2022
I Will Build My Own Country, 2024
The Obstacle, 2024
I Don't Care, 2024
Goat Man, 2024
Klein Duimpje, 2024
Welkom!!, 2024
Een Sprekende Steen, 2024
The Adoration of the Earth, 2023
The Sacrifice, 2023
Spreekwoorden op borden (naar P. Brueghel), 2023
The Lizard’s Tail,  2023
Schatteke, 2023
Feed the Beasts and Feed the Children, 2023
Checkers, 2022
Eu e minha mãe (Me and My mother) (2022)
Palácio da Justiça, 2022
Un peu de liberté, 2022
Smoke, 2022
The Beast, 2022









The Course Of Empire, 2022
Prophecies, 2020



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Un peu de liberté, 2022
Thu Jul 19 2022
Hand-tufted tapestry, 80 x 90 cm

Exhibition views solo exhibition The Horses Are Coming, Wouters Gallery, 2022 (photography: Isabelle Arthuis)

Elen Braga's first solo exhibition at Wouters Gallery prompted reflections on fear and power dynamics, beginning with her question "What do you feel when you know the horses are coming? In her earlier work Carousel (2021), the artist referred to the Brussels festival La Boum, which turned from a joke into a protest by young people during the Covid lockdowns, leading to violent clashes with the police, who used horses to disperse the crowd. Braga associates horses with state power while highlighting the complex motivations of the protesters, many of whom came from privileged backgrounds. Through her performances, including playful yet poignant choreography, Braga embodies both strength and vulnerability, inviting viewers to confront their own positions of power. 

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